With the Golden Globes officially over, the focus of awards season shifts, temporarily, to our side of the Atlantic. The nominations for the British Academy of Film and Television Awards 2012 have been announced, and the ceremony itself will take place on February 12th. As if this wasn’t enough, the winners of the London Critics’ Circle Film Awards were announced on Thursday 19th January. As the Oscar speculation builds, let’s take a look these recent developments.
Having walked away with an impressive collection of accolades from last week’s Golden Globes, the team behind The Artist are likely to leave the Baftas with similar booty. A tale of dignity and fragility with all the 1920s Americana of an F. Scott Fitzgerald novel, The Artist looks set to make a storm on February 12th. Having collected 12 nominations as well as Director and Actor of the Year awards from the Critics’ Circle, I wouldn’t be surprised.
This is by no means a one-horse-race, however, contrary to what Steven Spielberg may have hoped. The Best Film category includes Tomas Alfredson’s Tinker Tailor Soldier Spy and Nicolas Refn’s Drive which have been rewarded for their striking imagery and calculated performances with 11 and 4 nominations respectively.
By contrast, The Descendants sees George Clooney as head of a dysfunctional family, à la Little Miss Sunshine without the laughs. Despite resounding success at the Globes, this scrapes the barrel with only 3 nominations. The Help, our final contender for Best Film, is a warm-hearted glance into the world of civil rights through the microcosm of the American household, set to the tune of 5 nominations – on par with Spielberg’s War Horse.
The nostalgia of The Artist and The Help is a continuing theme, and My Week with Marilyn has received six nominations including one for leading actress Michelle Williams. Similarly, Woody Allen has received a nomination for Best Original Screenplay for the charmingly nostalgic Midnight in Paris which sees Owen Wilson clinking glasses with the likes of Ernest Hemingway and F. Scott Fitzgerald.
Other somewhat older stars have also successfully established their place at this year’s ceremony. Meryl Streep is nominated in the best leading actress category for The Iron Lady, and Martin Scorsese will enter the Royal Opera House with ten nominations between two films, Hugo and George Harrison: Living in the Material World.
The 32nd Critics’ Circle Film Awards are testament to the abundance of British talent this year. Most notably, Lynne Ramsay’s We Need to Talk about Kevin took British Film of the Year, and Olivia Coleman, not recognised with a Bafta nomination, was awarded British Actress of the Year for her work in The Iron Lady and Tyrannosaur. Michael Fassbender’s performances in A Dangerous Method and Shame earned him the British Actor of the Year spot, and Andrew Haigh won Break-through British Film-maker for his intimate romance, Weekend.
It seems that this has been a year of inventive sentimentalism, though this is truer of the Bafta than the Critics Circle, who have leant towards grittier stories. Regardless of speculation concerning trends and precedents, however, only time will tell as to whose nominations will materialise into Bafta success: the net has been cast widely, the decisions will not be easy.
By Francis Blagburn