Set in fin de siècle Sweden, A Little Night Music is Stephen Sondheim’s Tony award winning musical which, under the helm of the co-directors Griffith Rees and Jack Noutch, already promises much for the Oxford Playhouse in sixth week. This preview was shown in the crowded environs of Somerville College Chapel but, despite the lack of atmosphere granted by this 1930s, white-washed building, the mood of the musical was immediately present as the lieder chorus began to tune up – all part of the overture – and the orchestra started to play. The lieder act somewhat like a Greek chorus, commenting on the events of the musical as it goes along and of course providing fuller harmonies in the big numbers. Although some of the vocals were a little shaky, that was more than excusable in the morning and with a further two weeks to go; the tuning was almost perfect, which is definitely the most important thing.
The main cast of this production are set in motion by the tuning fork of Madame Armfeldt – a character given in this production a mystical responsibility to guide the characters. They all work seamlessly with the lieder chorus to bring out the story of Fredrik Egermann, a lawyer who has married a younger, ‘trophy’ wife to discover that she is unwilling to lose her virginity even to her husband, propelling him back into the arms of his former lover Desiree Armfeldt. Things are complicated by Desiree’s new, jealous lover Count Carl-Magnus who begins to suspect Desiree is not attentive to him alone, whilst his wife Charlotte looks on scathingly.
These four actors work together wonderfully, delivering well the humour of their situation – especially a scene involving Fredrik in the Count’s bathrobe – whilst also aided by the orchestra in building tension. Aleksandr Cvetkovic displays impressive vocals and gravity in the soldier’s uniform of the Count, sparring particularly well with Richard Hill as Fredrik, a character I wish that I could perhaps have seen more of in the preview. Claire Parry as Charlotte brings bitter humour along with the sadness of her role as the cheated wife and raised several laughs, whilst Georgina Hellier was totally natural in her role, playful and daring as a woman having to fight for her survival. The entire cast came together to sing ‘A Weekend in the Country’ which, with its complicated polyphony of lines and multiple stories happening together, was performed with real passion to end the first act.
Finally, to the core of this production – the orchestra was fantastic as the ever-present background music leading the musical onwards. They blended perfectly with the singers despite this being their first rehearsal with both the orchestra and the actors, something I only discovered after the preview. I was not given the name of the conductor, but I offer him my praise! This musical has much potential and I will certainly be going to see the finished product in the Playhouse.
A Little Night Music plays at the Playhouse until Saturday of 6th week.