Amelia Brown
Director Edward Hall is best known for creating the all-male theatre company, Propeller, who perform Shakespeare plays, re-imagined to relate...
Joined30th June 2014
Articles74
Lucy Prebble’s show Enron premiered at the Chichester Festival Theatre in 2009, and later transferred to The Royal Court due...
Megan Thomas
Any poor soul who has tried to coordinate their cast and crew’s timetables will, through the haze of google docs...
William Shaw
✮✮✮ An uproarious and self-aware comedy, The Doctor in Spite of Himself puts together an admirable performance, despite the difficult...
William Shaw
✮✮✮ The Futurists, it should be noted, were by and large a nasty piece of work. An artistic movement born...
Sian Iles
“In matters of grave importance, style, not sincerity is the vital thing.” And, indeed, St Hilda’s Drama Society brought style...
Caitlin Jauncey
“The music.” Producer Katie Jeffries-Harris’ immediate answer to the question of why choose The Coronation of Poppea may be short...
Emily Holman and Lucy Oliver
Emily Holman ✮✮✮ Adaptations are no easy feat. When the text in question is being adapted for stage, rather than the...
OxStu Stage
The main problem with The Architect is the play. Ostensibly, it focuses on the life of the has-been architect, Leo...
William Aslet
✮✮✮✮ Dealing with a plethora of present-day issues in an Edwardian context is The Singular Life of Albert Nobbs, this...
Phillip Babcock
Preposterous, outlandish, and ludicrously absurd, Oxford University’s Gilbert & Sullivan Society’s production of the comic opera Iolanthe is a hilariously...
Improvisation comes from the Oxford Imps, sketch shows come from the Revue, but where is Oxford’s stand-up comedy scene? To...
“Think of all the tales you’re going to discover…” Arriving on the B-T stage this 7th week is ‘As I...
James Watt
“When we are born, we cry that we are come to this great stage of fools”, declares the Fool, garbed...
Emily Holman
✮✮✮ Who is responsible for murder? It’s unclear if this was the foremost question in John Webster’s heart as he penned...
Ahead of Atomos coming to Oxford next month we spoke to Wayne McGregor, the choreographer behind it. Though just 44,...
William Shaw
✮✮✮ Captain Amazing is perhaps best described as Alan Moore by way of Mark Evans. Touching, clever and frequently hilarious,...
James Waddell
✮✮✮✮ Too often, 5th week can become a graveyard shift for Oxford’s events circuit. The B-T struggles to shift whatever’s...
Paige Tortorelli
✮✮✮✮½ Lily Slater’s rendition of Arthur Miller’s play, The Crucible, expounds upon the anxiety, fears, and grief permeating Salem, Massachusetts...
