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Katie Carlson
A freezing Wednesday night in January felt like a fitting night to watch a show about an Italian prostitute’s constantly...
Joined12th March 2017
Articles15
On walking into the auditorium at the Old Fire Station, the aesthetic which greeted us was uber millennial feminism: fur...
Jasmine White
The attention to detail in Hugh Tappin’s production of Skylight is remarkable. Stepping into the Burton Taylor Studio felt like...
Betty Yang
The Oxford drama scene has nurtured some of the finest acting talent in Britain, the hallowed training ground of artists...
Charles Pidgeon
I walked into the Burton-Taylor Studio halfway through a run of the show. The cast continued with the performance without...
Oxford, Cambridge, Durham: an alliance (or rivalry) for the ages. Although the title of the evening was ‘The Oxford Revue...
Once again, Jack Bradfield and Poltergeist Theatre prove that they’re cleverer than us. In the nicest possible way. Garden, Bradfield’s...
Jasmine White
Avenue Q is a coming-of-age story with a twist: most of the characters are Sesame Street-style puppets. The latest show...
Jasmine White
When I arrived to watch a rehearsal of Garden, most of the cast were wearing plant pots on their heads. ...
Jonny Dancinger
Bringing a radio play to life on stage is no small task, especially so with a piece as well known...
Julian Sunley
After a stunted night out, five teenagers wait indefinitely for a train. With nothing to do but sit on the...
Charles Pidgeon
As I watched the cast of Little Shop of Horrors perform at a tech rehearsal, I was nostalgic for a...
A climactic scene in Shakespeare’s Antony and Cleopatra ends with the lovers draped atop an Egyptian monument: one royal dead,...
Julian Sunley
Blavatsky’s Tower is a claustrophobic family drama. Leaving the Michael Pilch studio, it felt as if the apartment’s internal tensions...
The story of how Alexia Kirk, director of Dear Brutus, found the play is “one which no one ever believes....
