Robert Hayes
ā®ā®ā®ā® A middle-class dinner party farce. Monkey suits. Zorba the Greek. It all sounds like comedy by the book, but...
Joined19th March 2014
Articles14
Ash Garrett
Why Timon in Magdalen Hall? Gabriel Rolfe (Director): The Magdalen Players began brainstorming what kind of material suited the uniquely...
OxStu Stage
āSemi-fictional heretical retellings of the Passionā is not a theatrical trend thatās easily spotted, but after last yearās Master and...
Alice Troy-Donovon
Set design is no longer in the background of theatre production (well, figuratively anyway). In a recent talk at St...
Robert Hayes
ā®ā®1/2 āWhy people have to complicate a thing so simple I canāt make out,ā remarked Beckett on the multitude...
Rheaa Rao
āLungsā is a compelling experimental project that attempts to break the barriers of medium (it was originally a radio play)...
James Waddell
Youāve adapted a stage play for the screen, and now vice versa – what are the challenges of adaptation?Ā Adapting...
James Waddell
Why should people come to see the show? What can they expect from it? People should expect a uniquely Sondheim...
Siddharth Venkataramakrishnan
ā®ā®ā®ā® Ibsenās Hedda Gabler ā a tale of academics, alcoholism, and frustration ā is a perfect fit for Oxford in...
Emily Holman
ā®ā®ā® āTruth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.ā The words of...
OxStu Stage
Freshers from Regentās arenāt the most obvious candidates to be making waves on the theatrical scene and beyond, but Oluwafemi...
Anna Zanetti
ā®ā®ā®ā®ā® The first thing the audience sees as they get in are white cubes: a simple and majestic scenography for...
Tucker Cholvin
ā®ā® For most of its history, opera has been and continues to be a very exclusive art form. With most...
Alice Troy-Donovan and Sam Liu
Alice Troy-Donovanā®ā®ā®ā® Ten years ago The History Boys opened to rave reviews at The National Theatre. The play about a...
