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In 1964 Life magazine asked whether Roy Lichtenstein, the subject of the Tate Modern’s latest retrospective was “the worst artist in the US”. Fifty years on, Lichtenstein’s iconic style of dots, dashes, speech bubbles and primary colours has become embedded in our perception of Pop art and 1960s America. Upon entering the first room, the […]
Continue ReadingRoom after room of rough totems, thick cartouches and half-buried sarcophagi. Imagine yourself an archaeologist in dream-land, and you’re half-way to immersing yourself in the work of Hans Josephsohn. The experience is not far from being buried alive. Josephsohn’s half-century of work has brought us the newly-opened and powerful retrospective in Modern Art Oxford. It […]
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